This ongoing series of monoprints take their name from Warhol's Disaster Series but is updated to reflect environmental catastrophes. Disaster 1, 2023. Silkscreen and spray paint on excess Farrow & Ball wallpaper from a MoMA exhibition. 26.5 x 17.75"
Disaster 2, 2023. Silkscreen and spray paint on excess Farrow & Ball wallpaper from a MoMA exhibition. 26.5 x 17.75"
Ventura Marsh Milkvetch II, Ink, oil, spray paint and dirt. 17 7/8 x 13". Monoprint.
Tan Oak Storm, 2023. Ink, approx 8 1/2 x 11 1/2", sizes vary
Web, 2023. Collograph print, edition of 2 currently. 15 1/2 x 11". Self-published.
Peony, 2023. Collograph. 15 1/2 x 11". Self-published.
Tan Oak, 2022. 14 x 21". Inkjet and silkscreen on Hahnemühle paper. Edition of 3. Self-published. Tan Oak is one of the California Oaks that died from draught in California setting off the huge fires in 2021.
Tan Oak Error, 2022. 11 x 17". inkjet and silkscreen on paper. Edition of 3, self-published.
Alaskan Cedar Error, 2022. 11 x 17". inkjet and silkscreen on paper. Edition of 3. Self-published. Alaskan Cedar is an endangered tree. It has beautiful round pods/cones
5-Lined Skink, 2021. Linocut with hand additions. Edition of
Ferment, 2017. Inkjet and silkscreen on Hahnemühle paper. 44 x 35" (unframed). Edition of 8. Self-published. (Very special thanks to Nicholas Shick and Eric Steenbergen)
Screen, 2017. Unique laser cut woodblock prints with spray paint and ink on Hahnemühle paper. 25 1/4 x 19" (unframed). Edition of 5. Self-published.
Instability, 2016. Risograph 11 x 17" (unframed). Edition of 10. Self-published. (special thanks to Mary Tremonte)
Server, 2014. Platen print. Edition 1/1. Self-published. 15 x 16".
Deep, 2014. Inkjet and etching.
Anomaly, 2014. Platen print. 22 1/2 x 15" Edition of 7. Self-published.
2B32 (Revealed), 2004–06. Inkjet on paper with paint. An edition of 20 unique variants. Self-published.
2G4J (Revealed). 2003–04. Special print edition of 25 plus 5 Artist Proofs. Self-published. Benefit for The Aldrich Museum of Contemporary Art.
Pixels Per Print
Printmaking experimentation began with linoleum blocks when I was young and continued when I was awarded a residency at Ontario College of Art and Design in 2016. There I created a laser-cut woodblock, a risograph, and inkjet and silkscreen editions of my work with the help of printmakers on-site. I love exploring this medium.
Self-Portrait, c. 1997. Linoleum block.
